TL;DR
Salvador Dalí was a transformative figure in art, known for his flamboyant personality and dreamlike Surrealist works. Two pivotal moments shaped Dalí’s style: his discovery of Sigmund Freud’s works and his association with the Paris Surrealists. Dalí adopted a “paranoiac-critical” method, where he would self-induce hallucinations to tap into his subconscious. This technique birthed some of the world’s most iconic Surrealist paintings such as The Persistence of Memory. Although Dalí faced controversy, particularly concerning his political stance during WWII, Dalí’s impact on art remained unparalleled.
Salvador Dalí, a renowned figure in art history, is equally famous for his flamboyant personality and signature mustache as for his versatile contributions to art. Spanning painting, sculpture, product design, set design, and film, Dalí was a self-described megalomaniac who crafted intensely personal artworks filled with dreamlike imagery. André Breton, the leader of the Surrealist movement, once noted: “It is perhaps with Dalí that for the first time the windows of the mind are opened fully wide.”

Salvador Dalí, 1939
Born on May 11, 1904, in Figueres, Spain, Dalí was named after an older brother who died nine months before his birth. His parents believed he was his brother’s reincarnation, which burdened Dalí with the feeling that he lived in his brother’s shadow. Dalí’s mother died of cancer when he was a teenager, and his father later married his aunt. A major family rift occurred when Dalí showcased The Sacred Heart, an ink drawing with the inscription, “Sometimes I Spit with Pleasure on the Portrait of My Mother.” Outraged, his father disowned him.

The Great Masturbator by Salvador Dali, 1929

Le Sommeil (Sleep) by Salvador Dali, 1937
These formative experiences manifested in Dalí’s artwork as recurring themes and symbols—like open drawers, decaying food, and melting clocks—that linked back to his personal history.
During his time as an art student in Madrid and Barcelona, Dalí took on the role of class eccentric. He sported long hair and sideburns and dressed like the English Aesthetes of the late 19th century. He was expelled just before his final exams for leading a student protest against a professor he deemed mediocre, declaring that no faculty member was fit to evaluate him.
The sole difference between myself and a madman is the fact that I am not mad!
While studying, Dalí was influenced by classical painters like Raphael and Diego Velázquez, from the latter he adopted his signature mustache. He explored various art movements, including Dada, Impressionism, Futurism, Cubism, and his artwork encompassed themes related to human sensations, sexual symbolism, and ideographic imagery.
Two pivotal moments in the late 1920s shaped Dalí’s artistic style: his discovery of Sigmund Freud’s works and his association with the Paris Surrealists. To access his subconscious mind, Dalí employed a self-induced hallucinatory method he called “paranoiac critical,” which became a cornerstone of his art. Using this approach, Dalí transformed his dreams and subconscious musings into his own version of reality, diverging from its objective form.
This approach led Dalí to create some of the world’s most iconic Surrealist paintings. In these works, he meticulously detailed ordinary objects, transforming them into bizarre and irrational forms, often set against the sunlit landscapes of his Catalonian homeland. One of his most famous pieces, The Persistence of Memory, features soft, melting watches in a tranquil landscape. While many interpret these clocks as symbols of time’s omnipresence, Dalí playfully referred to them as the “camembert of time.”

Persistence of Memory by Salvador Dali, 1931

The Temptation of Saint Anthony by Salvador Dali, 1946
Dalí married Elena “Gala” Dmitrievna Diakonova, a Russian immigrant who was 10 years older than him. At the time of their meeting, Gala was married to Surrealist writer Paul Éluard. However, the undeniable attraction between Dalí and Gala led her to leave Éluard. Serving as Dalí’s muse and source of inspiration, Gala also managed his legal and financial affairs, bringing balance to his life.

Salvador and Gala Dali, 1930
In the years leading up to World War II, Dalí’s political apathy and provocative behavior led to tensions within the Surrealist movement. Although he claimed not to align with Nazi beliefs, his ambivalence and controversial comments led to his expulsion from the Surrealist group. In response, Dalí proclaimed, “I myself am surrealism.”

The Enigma of Hitler by Salvador Dalí, 1939
His 1939 painting, The Enigma of Hitler, reflects the dark mood of that era and his own fascination with the dictator. When it came to world events, Dalí remained elusive, famously remarking, “Picasso is a communist. Neither am I.”
Dalí passed away from heart failure on January 23, 1989, in his hometown of Figueres, at the age of 84.
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Words of wisdom
“A true artist is not one who is inspired, but one who inspires others.” —Salvador Dali
“Surrealism is destructive, but it destroys only what it considers to be shackles limiting our vision.” —Salvador Dali
“Everything alters me, but nothing changes me.” —Salvador Dali
“Those who do not want to imitate anything, produce nothing.” —Salvador Dalí
Bibliography
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